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College:听Churchill
Email:听laa33@cam.ac.uk
Supervisor: Prof Andrew J. Webber
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About
Before starting his PhD, Lawrence completed a BA in Modern and Medieval Languages (German and French) and a MPhil in European and Comparative Literatures and Cultures at the 澳门六合彩开奖记录. His MPhil research focused on abstraction, empathy, and affect in representations of violence in contemporary European film.
Lawrence also worked as a teaching assistant on the British Council's Generation UK-India programme. From 2014-20, he worked as a freelance translator for the Munich-based company Wacker Chemie AG.
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Research
Thesis Title:听'Face Value' in the Moving Image Practices of Harun Farocki, Hito Steyerl, and William Kentridge
Lawrence's research focuses on the theme of 'face value' in the moving image practices of Harun Farocki, Hito Steyerl, and William Kentridge. His doctoral dissertation adopts the Deleuzo-Guattarian model of 'faciality' as a framework to consider these artists' engagement with late capitalist and colonialist structures of power and control. This focus probes related questions of individual and cultural memory in dialogue with media-archaeological, postcolonial, and critical race theoretical perspectives on moving image scholarship.
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Scholarships/Prizes:
DAAD One-Year Grant for Doctoral Students, October 2021-September 2022
Study Foundation of the Berlin House of Representatives (Abgeordnetenhaus von Berlin), October 2021-July 2022 (declined)
Arts and Humanities Research Council (AHRC) Doctoral Training Partnership jointly hosted by Churchill College, October 2018-December 2021
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Teaching
Lawrence has supervised undergraduates for the final-year paper on European Film (CS6) and on the topics of 'Weimar Film and Visual Culture' (Ge10: 'German Literature, Thought and History, since 1910') and 'Screening the Real: Documentary Cinema in the Twenty-first Century' (Ge15: Modern German Cultures of Performance). In January 2021, he presented his doctoral research to an MPhil seminar on 'The Moving Image Outside the Cinema' convened by Prof Emma Wilson.
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Conference papers
鈥樷�滱ll the World鈥檚 A Stage: Performing Migrant Sex Work in Manuel Abramovich鈥檚 Blue Boy鈥�, (UnCaNI) 鈥樷�� symposium, held online, June 28, 2021.
鈥樷�滵ouble Occupancy鈥� and Metaleptic Dynamics: Hito Steyerl Maps Berlin鈥檚 鈥淓mpty Centre鈥濃�� conference on 鈥楽pace, Place, and Locus: Mapping the New Europe鈥�, held online, June 2, 2021.
鈥楨xcavation and Entstellung: (Media-) Archaeological Activity and Postcolonial Memory Work in the Artistic Practices of William Kentridge鈥�, British Association of Film, Television and Screen Studies (BAFTSS) virtual conference on 鈥樷��, held online, April 7-9, 2021.
鈥楩ace Value? Metaphor and Metalepsis in Harun Farocki's Interface鈥�, World Picture Conference on 鈥樷��, University of Toronto, Canada, November 8-9, 2019.
鈥楩oundation, Gloss, Concealer: Make-Up and the Minoritarian Subject in Jennie Livingston's Paris is Burning and Hito Steyerl's How Not to Be Seen: A Fucking Didactic Educational .MOV File鈥�, 鈥樷�� conference, 澳门六合彩开奖记录, UK, May 2-3, 2019.
鈥楽aving Face: Faciality, Identity and (In)visibility in the Works of Trevor Paglen and William Kentridge鈥�, British Association of Film, Television and Screen Studies (BAFTSS) Conference on 鈥樷��, University of Birmingham, UK, April 25-27, 2019.
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Publications
鈥榁iolent Thresholds: Sights and Sounds of the Cinematic Baroque in Pascal Laugier鈥檚 Martyrs鈥�, Screen Bodies 6.2 (forthcoming, November 2021).
鈥樷��, Frames Cinema Journal 18 (June 2021): 2鈥�28,
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Other activities and roles
Lawrence is a co-editor of the , a blog and resource hub founded by Molly Harrabin in Feburary 2021. He was co-convener of the German Graduate Research Seminar for the academic year 2019-20.
Lawrence is a member of the , , and the .
