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Carlos Fonseca is a writer and academic. His teaching, writing and research focuses on modern Latin American literature, art and culture, with particular emphasis on concepts of history, nature and politics. He is interested in the intersection between philosophy, literature and art history. He holds a PhD from Princeton University.

He is the author of three novels,ÌýCoronel Lágrimas,ÌýMuseo animal, and Austral all published in Spanish by Anagrama and in English by Restless Books and Farrar, Straus and Giroux. His novels have been translated into more than ten languages. He is the author of the book of essaysÌýLa lucidez del miope, a book that explores writers as diverse as Ricardo Piglia, W.G. Sebald, Marta Aponte, Joao Gilberto Noll and Enrique Vila-Matas, among others. For this book he was awarded the National Prize of Culture of Costa Rica, in the essay category. He has written articles on topics such as Simón Bolívar and Alexander Von Humboldt, Ricardo Piglia and technology, Roberto Bolaño and forensic aesthetics, Marta Aponte and the biographical archive, Enrique Vila-Matas and the avant-garde, Wifredo Lam and the postcolonial imagination, Teresa Margolles’s counter-forensic archives, Euclides da Cunha and geohistory, Antonion Artaud and his Mexican journeys, among others….

His academic monographÌýThe Literature of Catastrophe: Nature, Disaster and Revolution in Latin America,Ìýpublished from Bloomsbury, tells the ecohistory of how discourses on nature and discourses on history intertwined during the violent aftermath of the Latin American Wars of Independence. Synthesizing intellectual history and readings of textual production, and focusing on how natural catastrophes became tropes for thinking through historical eventuality during the 19th and 20th century in Latin America.

The first of his two new projects, entitledÌýThe Buried Archive: Latin America and the Rise of a Forensic Aesthetics, sketches a history of the rise of a post-memory witnessing aesthetic in Latin America, while simultaneously tracing the story of the rise of human rights forensic anthropology groups in the region.

The second project, entitled At the Brink of Dawn: A Journey Across the Colonial Fantasy, explores the works of Cuban painter Wifredo Lam, in its relationship to what, following James Clifford, we could call the ethnographic avant-garde. Following the triptych structure proposed by the succession of twilight (Walcott), night (Lam), and dawn (Césaire), the project aims toÌý think through how Lam’s post-human ecologies allow us to imagine the possibility of post-colonial futures after the so-called end of history.