澳门六合彩开奖记录

This paper is available for 2024-25.

To be embodied is to take up space, to exist in time, and to be part of a community. In this paper we explore a series of medieval texts and artefacts which shed light on how bodies were interpreted, imagined, included, and excluded in the Middle Ages. The lectures and supervisions are organised into four themes: Race and Place; Human, Animal, Monster; Bodies and Books; Gender.

Figures and narratives from the European Middle Ages have recently become misrepresented and appropriated by groups who wish to portray that era as a time of 鈥減urity鈥�: in Race and Place, we show how misguided this move is by looking at the development of racializing discourse in medieval French literature.听The word 鈥榤onster鈥� derives from the Latin verb 鈥榯o show鈥�: the texts we read in Human, Animal, Monster show the beast lying at the heart of humanity, but also show the monstrosity of the human. While we may think of literature as a sign of uniquely human civilisation, the vast majority of medieval books are made from animal skin 鈥� this suggests that bodies and books can both offer opportunities for reading and interpretation. And in the Gender topic, we look at texts and traditions which open spaces to trouble the fixed ideas of binary gender on which medieval (and modern) literary culture can sometimes depend.

A course which encompasses romances, saints鈥� lives,听bestiaries, and chronicles from the eleventh to the fifteenth century, Fr7 offers a chance to explore a broad range of medieval literature, as well as looking in detail at some aspects of medieval manuscript culture.