Fitzwilliam College Storey鈥檚 Way 澳门六合彩开奖记录 CB3 0DG
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Isaias Fanlo teaches Modern and Contemporary Iberian Cultures at the 澳门六合彩开奖记录. His work on Iberian cultures, scenic arts and queer theory has been published in scholarly magazines, as well as in books like De vidas y virus (2019), Entre el cuarto oscuro y la utop铆a queer (2023) and Daring Adaptations, Creative Failures, and Experimental Performances in Iberian Theater (2023). He also contributes to generalist media, where he writes about scenic arts, culture and activism. His monograph听El llibre rosa听(2004) was a pioneer work on gender and sexuality in Catalonia.
His current research explores contemporary theatrical and performative events in Spain from a queer gaze situated in the intersections of race, class, citizenship, and HIV status, among others. In his forthcoming monograph, he develops the notion of 鈥淭oponormativity鈥�, addressing queer performative strategies of resistance against gentrification and normative uses of urban spaces, tackles the archives to approach the performances of HIV/AIDS through silences and absences, discusses the ethical implications of performing sex onstage, and ponders about the nuances of drag as performance art that challenges ideas regarding gender, community, and national discourses in Spain.
Parallel to his academic trajectory, Isaias Fanlo has developed a career as a cultural manager in the scenic arts. He has been editor, dramaturgist and creator of contents for Barcelona鈥檚 Teatre Nacional de Catalunya, artistic advisor for Barcelona鈥檚 Teatre Lliure, and literary advisor for different projects in Barcelona and Chicago. He founded Terrats en Cultura, Barcelona鈥檚 awarded rooftop scenic arts festival, which is currently celebrating its tenth anniversary and is an active member of the European Creative Rooftop Network.
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- Spanish literatures and cultures (from the nineteenth century to the present)
- Catalan literatures and cultures (from the nineteenth century to the present)
- Theatre and performance studies
- Iberian cinema
- Queer theory
- Race, politics and culture
- Colonial and postcolonial intersections
- Narratives of the exile
Dr Fanlo welcomes inquiries from potential MPhil and PhD students with research interests relevant to his interests.
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Monographs
El llibre rosa de gais i lesbianes. Barcelona, Columna Edicions, 2004.
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Selected articles and book chapters
鈥淩ewriting Race: The听Angels in America听Scandal and New Representations of Blackness in Contemporary Catalan Drama.鈥� Mar铆a Chouza; Esther Fern谩ndez; Jonathan Thacker, eds. The Unsafe Stage: Daring Adaptations, Creative Failures and Experimental Performances in Iberian and Transnational Contexts. Liverpool University Press, 2023.
鈥淨ueer Dignity. Intersections of Testimonial Queerness in Theatre, Performance, and the Visual Arts.鈥� Sara Jones; Roger Woods, eds. The Palgrave Handbook of Testimony and Culture. Palgrave Macmillan, 2023.
鈥淐uartos oscuros, barras de bar, pistas de baile y otras utop铆as queer en el teatro espa帽ol contempor谩neo.鈥� Paola Bellomi; Claudio Castro Filho, eds. Entre el cuarto oscuro y la utop铆a queer: sexualidades no normativas en el teatro espa帽ol contempor谩neo. Peter Lang, 2023.
鈥淓scritura, territorializaci贸n y deseo. 鈥楴it a la pla莽a de Catalunya鈥�, de Biel Mesquida.鈥� Rafael M. M茅rida, ed., Di/versos. Poes铆a queer autobiogr谩fica. Edicions de la Universitat de Lleida, 2023.
鈥淓l teatro palpable: estrategias queer de resistencia contra la toponormatividad.鈥� Acotaciones. Investigaci贸n y creaci贸n teatral, 3: 50 (2023).听
鈥淟a escritura entre fantasmas. Notas sobre la poes铆a queer de Jaime Manrique.鈥� Jaime Manrique, Amor de hombre. Poes铆a queer 1972-2022. Seix Barral, 2023.
鈥淓l teatro del postolvido: No parlis amb estranys, de Helena Tornero.鈥� Tal铆a. Revista de estudios esc茅nicos, 4 (2022).
鈥淭ot desestabilitzant la toponormativitat: una aproximaci贸 a algunes iniciatives de resist猫ncia queer en l鈥檈scena catalana contempor脿nia.鈥� Margalida Pons, ed. Mirades afectives sobre la cultura catalana contempor脿nia. Biblioteca di Rassegna Iberistica, 2023.
鈥淛aime Gil de Biedma鈥�, 鈥淎ntonio Roig Rossell贸鈥�, 鈥淎ndr茅s Caicedo鈥�, 鈥淛aime Manrique鈥�, 鈥淒avid Vilaseca.鈥� Alfredo Mart铆nez Exp贸sito, ed. La vida iba en serio: autobiograf铆as hisp谩nicas de la diversidad sexual. Edicions de la Universitat de Lleida, 2022.
鈥淎punts per a repensar el teatre en temps de pand猫mia.鈥� (Pausa.) Quaderns de teatre contemporani, 42 (2020).
鈥淪uperviv猫ncia i utopia en el teatre queer i trans.鈥� Marc Rosich, Teatre trans (i altres textos no normatius). Comanegra, 2020.
鈥淣otes sobre el teatre de Guillem Clua.鈥� Guillem Clua, Teatre reunit (2002-2019). Arola edicions, 2020.
鈥溍塼ica de lo obsceno: ideas en torno a la gentrificaci贸n del sida en las artes esc茅nicas.鈥� Rafael M茅rida, ed. De vidas y virus: VIH/sida en las culturas hisp谩nicas. Icaria, 2019.
鈥淢alaltia, frivolitat, responsabilitat i transgressi贸: un di脿leg (queer) amb Guillem Clua.鈥� (Pausa.) Quaderns de teatre contemporani, 40 (2018).
鈥淓ls invisibles i els silenciats: Algunes reflexions epistolars sobre q眉estions racials i queer en el teatre catal脿.鈥� (Pausa.) Quaderns de teatre contemporani, 40 (2018). Co-written with Jeffrey K. Coleman.
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Selected translations
Jaime Manrique. 鈥淓l d铆a que Carmen Maura me bes贸.鈥� El territorio de lo ausente: seis voces migrantes del Caribe Colombiano. Mackandal, 2022, p. 115-128. (Short Story)
Jaime Manrique, Si me ves por el camino. Seix Barral, 2021. (Novel)
Martin Sherman, Bent, 2014. Performed in Havana, Cuba, in June 2014. (Play)
George Bernard Shaw, 鈥淟a casa dels cors trencats i Horseback Hall鈥�, in La casa dels cors trencats. Barcelona: Proa, 2009. pp. 31-81. (Essay)
Architectures, TV series from Arte Channel. C33, Televisi贸 de Catalunya, 2006.
Vladimir Nabokov, 鈥淧r貌leg鈥�, in Lev Tolstoi, La mort d鈥橧van Ilitx / La sonata a Kreutzer. Barcelona, Destino, 2004. pp. 11-25. (Essay)
John Dos Passos, 鈥淯n apunt sobre Fitzgerald鈥�, in Francis Scott Fitzgerald, En aquest costat del parad铆s. Barcelona: Destino, 2003. pp. 9-17. (Essay)
G. K. Chesterton, 鈥淧r貌leg鈥�, in Charles Dickens, David Copperfield. Barcelona, Destino, 2003. pp. 11-22. (Essay)
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