Room 304 Faculty of Modern & Medieval Languages Raised Faculty Building 澳门六合彩开奖记录 Sidgwick Avenue 澳门六合彩开奖记录 CB3 9DA United Kingdom
Olenka Pevny studies the art and culture of Kyivan Rus鈥� and Ruthenia. She is particularly interested in the reception and acculturation of the Orthodox tradition in Eastern Slavic lands and in the place of visual culture in narratives of national, regional, religious and gender identity.听 Her involvement in conservation and preservation initiatives guides her interest on the ways in which scholars, theorists, politicians and cultural activists in the late Russian Empire, the Soviet Union and contemporary Ukraine and Russia relate to and interact with the medieval past.
Prior to arriving in 澳门六合彩开奖记录, Dr. Pevny was Associate Professor of Byzantine and Medieval Art History and Chair of the Art and Art History Department at the University of Richmond, VA.听 She has worked at The Metropolitan Museum of Art in New York City , in a curatorial capacity on The Glory of Byzantium exhibition, and as an archaeologist in Crimea and Greece. She received her Ph.D. from the Institute of Fine Arts at New York University.
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Byzantine, Rus鈥�, Ruthenian, Muscovite, Russian and Ukrainian art and culture; archaeology; visual theory and culture; architectural history; cultural policies and historical preservation, conservation and restoration practices; Soviet, Russian and Ukrainian historical preservation theories and restoration projects.
Dr听Pevny听welcomes inquiries from potential听MPhil听and PhD students听with research interests relevant to听her interests.
Dr. Pevny is completing work on a monograph that studies the significant of the medieval Church of St. Cyril of Alexandria in Kyiv and the transformation in its form and decoration undertaken in the following centuries. Her current research interests include: medieval Chernihiv, confessionalism and visual culture in Volyn鈥� and Zhytomyr, 听the Cossack Baroque, and the art and architecture of sixteenth and seventeenth-century Kyiv.
鈥淭he Encrypted Narrative of Reconstructed Cossack Baroque Forms,鈥� Harvard Ukrainian Studies, vol. 31, no. 1-4 (2009-2010), pp. 471-520, also published in Poltava 1709: The Battle and the Myth, ed. Serhii Plokhy (Harvard University Press, 2012), pp. 471-520.
鈥淚n Fedor Solntsev鈥檚 Footsteps: Adrian Prakhov and the Restoration of the Medieval Past in Late-Nineteenth-Century Kiev,鈥� in Vizualizing Russia: Fedor Solntsev and Crafting a National Past, ed. Cynthia Hyla Whittaker (Leiden: Brill, 2010), 83-108.
鈥溞熜拘承谎徯葱� 薪邪 屑懈薪褍谢械 褌邪 褉械褋褌邪胁褉邪褑褨褟 锌邪屑鈥櫻徰傂拘� 袣懈褩胁褋褜泻芯褩 袪褍褋褨 胁 校泻褉邪褩薪褨,鈥� in 小芯褎褨褩胁褋褜泻褨 褔懈褌邪薪薪褟 IV. 袣褍谢褜褌褍褉薪懈泄 写褨邪谢芯谐 锌芯泻芯谢褨薪褜, (Kyiv: National Architectural Preserve 鈥淪t. Sofiia鈥�, 2009), 489-506.
鈥淒ethroning the Prince: Princely Benefaction and Female Patronage in Medieval Kyiv,鈥� Harvard Ukrainian Studies, vol. 29, no. 1-4, (2007), 61-108.
Essay 鈥淜ievan Rus鈥欌�� and twenty-five catalogue entries, The Glory of Byzantium, ed. Helen C. Evan and William D. Wixom (New York: The Metropolitan Museum of Art, 1997), pp.156-157, 193-194, 247, 281-287, 289-307, 313-319.
Edited Books袦邪泄褋褌褉懈 薪邪褕芯谐芯 屑懈褋褌械褑褌胁邪 (Kyiv: 艩u膷asnist, 2006).
Perceptions of Byzantium and Its Neighbors (843-1261) (New Haven: Yale University Press, 2000).
Translations (into Ukrainian)Aleksis Rannit, 鈥淛acques Hnizdovsky: A Ukrainian Graphic Artist,鈥� in 小褍褔邪褋薪褨褋褌褜, 9 (1985), p. 204-207.
Jean Claude Marcade, 鈥淓clipse of Objects to Liberation of Space,鈥� in 小褍褔邪褋薪褨褋褌褜, 10 (1984), p. 38-48.
Valentine Marcade, 鈥淰asilii Ermilov and Certain Aspects of Ukrainian Art of the Early Twentieth Century,鈥� in 小褍褔邪褋薪褨褋褌褜, 6 (1984), p. 38-48.
Television Interview鈥溞椥毙笛�械卸械薪薪褟 褌邪 褉械褋褌邪胁褉邪褑褨褟 邪褉褏褨褌械泻褌褍褉薪芯褩 褋锌邪写褖懈薪懈 校泻褉邪褩薪懈鈥� (鈥淭he Preservation and Restoration of Ukraine鈥檚 Architectural Past,鈥� 校泻褉邪褩薪邪 袆写懈薪邪 鈥� 袙邪褋懈谢褜 楔邪薪写褉芯 (Ukraine Unified with Vasyl Shandro), taped 5/28/2012,
